1968 – Library Tokyo Keizai University – Azusa Kito

In 2014, the building was converted to an auditorium. Originally it was a library, designed by Azusa Kito in 1968. The library was organized as one large open space. The first floor has 40m x 40m square space with no columns and it is opening to forest through glasses. Unfortunately, the conversion of the building destroyed the clarity of its original architecture. Still remarkable are the polygonally shaped concrete columns. The building is registered by DoCoMoMo Japan as one of the 200 best representatives of modern architecture in Japan.


Name: Library Tokyo Keizai University│Type: Education│Architect: Azusa Kito│Completed: 1961

 

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1966 – Tokagakudo Music Hall – Kenji Imai

The Tokagakudo building is a music hall designed by architect Kenji Imai. The building is an octagon; the shape of its figures clematis petals and every outer wall of the octagon is covered with patterns of large flying birds an nature symbols as sun, moon or stars made in mosaic. The architecture is contradictory to the Metabolist-movement at the time of its completition in the 60s.


Name: Tokagakudo Music Hall│Type: Concert Hall│Architect: Kenji Imai│Completed: 1966

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1961 – Tokyo Metropolitan Festival Hall – Kunio Maekawa

The Tokyo Metropolitan Festival Hall, built in Ueno Park by Kunio Maekawa (1905 – 86) in 1961, responds in almost every possible way to Le Corbusier, for whom Maekawa had worked from 1928 to 1930. In its variety of features and finishes not only does it recall Chandigarh, La Tourette and even Ronchamp, it also adresses Le Corbusier’s own National Museum of Western Art (1959) across the road. The large building contains two auditoria, the smaller one square, with the stage placed in one corner and the seating on the diagonal, and the larger one, the concert hall, with a horeshoe-plan and galleries reaching around the side.


Name: Tokyo Metropolitan Festival Hall│Type: Concert Hall│Architect: Kunio Maekawa│Completed: 1961

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1969 – Yasuyo Building – Nobumichi Akashi

This unusual, narrow commercial building resembling a stack of twisted bolts stands right next to the eastern entrance of Shinjuku Station and is famous for Kakiden, a long-established restaurant which occupies the 6th to the 9th floors and has interiors designed by Yoshiro Taniguchi. Kokin Salons is on the 6th floor, Yasuyo Hall on the 7th, and there are more guestrooms with Western-style tables and chairs on the floor above. The building’s top floor is furnished in the traditional Japanese style: two of the three rooms are 12 and 10 tatami in size, while the third is of more intimate proportions. Part of the kaiseki restaurant on the basement floor is an art gallery. Architect Nobumichi Akashi described his design for this building as anchored solely in the fast pace of Tokyo and in the present moment.


Name: Yasuyo Building│Type: Commercial│Architect: Nobumichi Akashi│Completed: 1969

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1969 – National Museum of Modern Art – Yoshiro Taniguchi

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The Museum, just a few steps from the Palace Side Building, faces the moat and stone rampart of the Imperial Palace compound across the road. This close proximity promoted Yoshiro Taniguchi to make the design as simple as possible. The horizontal volume is elevated above a raised platform with only a few windows. Inside, however, the spaces are richly articulated follwing a skip-floor system.


Name: National Museum of Modern Art│Type: Museum│Architect: Yoshiro Taniguchi│Completed: 1969

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1967 – Shizuoka Tower – Kenzo Tange

Built in the Ginza district, the Shizuoka Tower gave Tange a chance to materialize his Metabolist ideals, which called for a new urban typology that could self perpetuate in an organic, vernacular, “metabolic” manner. The narrow, 189 square-meter, triangular site inspired Tange to design a vertical structure, consisting of a main infrastructural core, which could develop into an urban megastructure, into which an ever-growing number of prefabricated capsules could be “plugged-in.”

The infrastructural core was a 7.7 meter diameter cylinder, reaching a height of 57 meters, containing stairs, two elevators, and a kitchen and sanitary facilities on each floor. The core served as an access shaft to the modular office units: cantilever glass and steel boxes of 3.5 meters which punctuated the main core on alternating sides. A total of thirteen individual offices were arranged in five groups of two or three modules connected asymmetrically to the central beam. Balconies formed in the gaps between the clusters, allowing for future units to potentially be “plugged-in,” an idea which never materialized. The structure today has the same amount of units as when first erected in 1967, and so Tange’s Metabolist vision for a perpetually regenerating, prefabricated urban megastructure was never fulfilled.


Name: Shizuoka Tower│Type: Office│Architect: Kenzo Tange│Completed: 1967

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1969 – Ichiban-kan – Minoru Takeyama

1969 - Ichiban-kan - Minoru Takeyama

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

In the late 60s, architect Minoru Takeyama designed this reinforced concrete volume, shaped with an unusually dynamic, although still abstract geometry and formative black-white painting. The iconographic building reflects the festive and superficial charactre of its urban context.


Name: Ichiban-kan│Type: Entertainment│Architect: Minoru Takeyama│Completed: 1969

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1968 – Friends School (Furendo Gakuen) – Hiroshi Oe

The Friends School is the only Quaker school in Japan. Today it is a high school for 800 girls. The pleasant and welcoming modernist architecture by Hiroshi Oe consists of a skillful combination of rough brick and painted white concrete. Important elements are the inviting and light verandas on the south facade. The building is registered as one of the 100 best representatives of modern architecture in Japan.


Name: Friends School (Furendo Gakuen)│Type: Education│Architect: Hiroshi Oe│Completed: 1968

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1967 – Yukari Bunka Kindergarten – Kenzo Tange

In 1967, Yukari Bunka Kindergarten by Kenzo Tange was established. The architect choose  the spatial dimension to be comfortable to the children’s scale. The plan of the kindergarten has a radial arrangement. Each roof unit has in a strict sense a shape of a cone rather than a circular cylinder. In the original design the roof was to consist of prefabricated prestressed members. It was found, however, that some parts of the streets connecting the factory and the building site were too narrow to accommodate transportation of the prefabricated roof units. Therefore, we decided to “prefabricate” them in the site.


Name: Yukari Bunka Kindergarten│Type: Education│Architect: Kenzo Tange│Completed: 1967

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1966 – Palace Side Building – Nikken Sekkei

The building, facing the Imperial Palace, was at the time of its completion one of the largest commercial complexes in Tokyo. At street level there is a two-story shopping arcade linked to the streets around. The two cylindrical shafts, reminiscent of numerous Metabolist designs, feature stairways and elevators along with their lobbies. Particularly noteworthy is the mode in which the elevations are articulated with delicately designed metallic louvers as wel as drainpipes and spandrels. Such craftsmanship lends this impressive building an aesthetic quality that is akin to traditional solutions of high-level artistry.


Name: Palace Side Building│Type: Office / Commercial│Architect: Nikken Sekkei Ltd.│Completed: 1966

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